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        The Class of 1979 proudly presents Freshman Glee   x27;76 the sixty-eighth annual Freshman Glee Willamette University Sparks Center March 13, 1976       8:00 p.m. 
        Welcome Address Good Evening  Freshman Glee is a special event. Tonight, the community, professors, administration, and students come together for an evening of talent, laughter, and suspense. This presentation marks the culmination of long days and nights filled with work and comraderie. We invite you to join us in our annual competition between the classes, Freshman Glee 1976. Help us make it a night to remember. The Freshman Class Dedication In today  x27;s immense world, Glee is only a small event in a sleepy college town. Yet Glee has survived 68 years in this everchanging society. We feel that this feeling of cooperation can be extended to the world  x27;s quest for a brighter dawn of freedom. We, therefore, would like to dedicate this Glee to anyone who has ever dreamed of that brighter dawn. 68 years? Glee was first held in Waller Hall in 1908. In 1916 Glee was moved out of Waller to the Salem Armory due to lack of room. Then again to the First Methodist Church and finally back to campus and into the gymnasium in 1923. Last year upon the completion of the Sparks Center, Glee was moved into the Cone Fieldhouse. 
        On Judges and Judging For the purposes of judging, the elements of competition in Freshman Glee are divided into three categories. A panel of judges has been designated for each category. Using an established point system, each judge will rank contending classes from first to fourth place in each category. Words and Music are evaluated together. Judges for Words and Music: Senator Mark Hatfield, Mr. and Mrs. Geoffrey Rutkowski, John West. Vocal Rendition will be judged on the basis of tone quality, diction and expression. Judges for Vocal Rendition: Mr. Charles Heltzel, Mr. William Tweedy, Dr. Paul Trueblood, Mrs. Betty Anderson. Formation points will be awarded for precision and originality of singing formations. Judges for Formation: James Courtney Jones, Dwayne Walker, Roger Kirchner. 
        Classes March In Freshman Glee Co-Managers  x27; Address  Grif Frost/Hunter Emerick  quot;Silver Mountain quot; Class of 1976  quot;After the Storm quot; Class of 1977  quot;Cornerstones quot; Class of 1978  quot;Start Again quot;  Class of 1979 Entertainment Randy Crenshaw Presentation of the Decision of the Judges  Dean Yocom 
        AFTER THE STORM by K. C. Humphrey Dream of a day dawning after a storm As the sun breaks through a cloud And life is being born; There is a place yet uncovered by the day Where the wind and rain have gone, Touching everything with dismay But they cannot hold those who seek the rising sun. Though the rain is still pouring down I see the sun about to rise I see the freedom in your eyes; Slowly the whirlwinds blow away If only those in darkness knew The morning light I  x27;ll share with you. So we wait for the dawn of a new day To drive away the storm And we wait for the dawn of a new day To see a rainbow form and light the sky. Look beyond these four painted walls The earth is full of living room The rainbow shines with life in bloom; Someday the storms will disappear When we allow ou world to be free By giving ourselves and all we can be. Oh, let yourself go; Freedom is a seed that has to grow Through the night and the day Through the sun and the rain The seed must be strong To endure the winds of change So we wait for the dawn of a new day To drive away the storm And we wait for the dawn of a new day To see the rainbow form and light the sky. Dream of a day dawning after a storm As the sun breaks through a cloud And life is being born The seed will grow as long as we will try And wait for the dawn of a new day To see a rainbow form and light the sky. Notes on  quot;After the Storm quot;  quot;After the Storm quot; was inspired by the writings of Kahlil Gibran, Omar Khayyam and the disciple Mark. The images are all traditional; the storms of life  x27;s trials give way to the dawning of hope as the seed of freedom in each of us begins to grow. The rainbow ties the storm to the sunlight for both must nourish the seed. K. C. Humphrey 
         quot;SILVER MOUNTAIN quot; by Gregg Capp When I was a little boy I had a special place to go, where I could be alone. It was called Silver Mountain and in this place, my thoughts were all my own, and the trees were made of gold. CHORUS I Take your troubles up to Silver Mountain, let them bubble out, the soda fountain and float right down into Lollipop Bay. And if your troubles seem a little hazy, spend the day picking peppermint daisies, you might even decide to stay. Whenever I was lonely I knew that there was one place I could call my own. I  x27;d gather up my troubles and take them to the one place I called home, and I  x27;d never be alone. CHORUS II Then I  x27;d fly on up to Silver Mountain and I  x27;d bubble out the soda fountain and float right on down into Lollipop Bay. And when my troubles seemed a little hazy, I  x27;d spend the day picking peppermint daisies. Then I  x27;d simply fly away. Now that I  x27;m not so young I don  x27;t forget the things that I learned long ago. Whenever I have troubles I know that there  x27;s still one place I can go, And I  x27;d like to let you know. CHORUS III Take your troubles up to Silver Mountain, let them bubble out the soda fountain and float right on down into Lollipop Bay. And if your troubles seem a little hazy, spend the day picking peppermint daisies. And you  x27;ll find it will help you through the day. When you learn to see the silver way. Notes on  quot;Silver Mountain quot; Silver Mountain is a short cruise through the delightful world of fantasy. It is a simple song of freedom, a personal freedom recaptured from the long lost world of childhood. Follow us as we take our troubles up to Silver Mountain, and don  x27;t be surprised if you find yourself singing. Gregg Capp 
         quot;Cornerstones quot; Words and Music by Andrew J. Gregg and Tom Spivey CHORUS We all stand here together, each one of us alone. . ,,.     .       -r  lblx  liu            4        ,.   x27;      , y   x27; , * -   :  x27;      . . Listen to our folklore, like echoes from the past; Looking down the long, long road that leads away from home. . .   . n .    iir  rt   ...        .   , . ,      *      . ...    .       u . .        .  x27;   4 , . .   x AU .       . o Listen to our families who ve made our freedom last; We don t know where it s taking us, but then, who s ever known? . . . n .    ..    +Krt  ,    *u , .        AU    ,      . .   x27; , Listen to the others cross the sea of tears they ve cried, You say good-bye; you close the door, and the you re on your own. -,.   ..        ...     ....    .   .       . . . .  .,     7 ..   , 7 v 7    7 7 7 To live a life of liberty for which our neighbors died. The blood-red dawn before me, fighting all around ... Be proud of what our fathers earned to keep us free. Friends I  x27;ve known and loved, now lost . . . lying on the ground. Realize just how they yearned, there  x27;s no one pushing me. We march now to a new day, the fighting dying down. And at the price they had to pay, But how much pain does freedom cost, for now our hearts are bound. Be sure it never slips away. INSTRUMENTAL So now we have our freedom, we had faith enough to win. Now another struggle is waiting to begin. Brothers will see brothers die, but hope will not run thin, If another war besieges us, we  x27;ll join as one again. REPEAT CHORUS Notes on  quot;Cornerstones quot; The thought behind  quot;Cornerstones quot; is basically one of looking at the revolution through the eyes of personal freedom and feel ings; telling us not to forget our past and the struggles of our forefathers who fought for freedom, which we now enjoy. The underlying theme of this is to realize that we might not truley appreciate our freedom, not having fought for it. And of course, the titles,  quot;Cornerstones quot;   the basic element, the building block; that is what freedom is. Where would you and I be without it? Tom Spivey 
        Start Again by Ben Carlile They told us everyone was equal but now we know that  x27;s far from true They had told us we were governen  x27;d by the people but now we know what Mr. Nixon knew. And in this year of celebration several things are becoming clearer not only must we thank our nation, but we must look into the mirror. CHORUS It is time to start again set this country on a better trend to build a place where freedom rings a world for us, and not machines. This was supposed to be a dawn of freedom but that means different things to different men and like the earth that knows to change its season it seems to us we  x27;ve got to start again . . . start again But through the sadness we can still find room to love this country that has gone astray. In our hearts we know she  x27;ll come back soon but we must help her find the way. CHORUS 
        Thank You  Freshman Glee Co-Managers Grif Frost and Hunter Emerick Committee Chairpersons Propaganda: Joe Reinhart Bucks: Jeff LaBar Debbie Lewis - Kl A     0     D  .. Anne Pfister GNAT quot; Sue Butler Last Supper: Gary Meabe The Judge: Kate Battuell   Trappings: Dale Bernards Bobbye Halcro The New: Mike Ratiani With Special thanks to: Cindi Spencer and the girls from 201 Donna King Richard  quot;Buzz quot; Yocom Jan McMillin Teresa Hudkins George Bynon Ron Holloway Craig Strobel Lisa Butkovich Gary Thede Jack Stuhl and the men from Maintenance And to everyone who served on Glee committees and helped to make Freshman Glee 76 a Glee to remember.