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Lenny Beach 2025

Abstract

CRT and the Search for God (MK2) explores the intersection of spiritual experience, analog technology, and material presence. Originating from two profound moments of divine encounter - a vision during a performance by Reverend Kristen Michael Hayter and an unexpected blessing from a Capuchin friar—this project reflects a shift from artistic overcomplication toward radical simplicity and spiritual honesty. Through the use of CRT televisions, water, light, and video footage of prayer gestures, the installation creates a meditative space where technology and spirituality are not opposing forces, but intertwined mediums of encounter. CRT TVs, with their static electricity, scent of heated coils, and visible inner workings - act as relics of memory and ritual, embodying the tactile and imperfect nature of both human, technology and divine connection. Water serves as a site of reflection, transformation, and mystery, bending light and imagery to mirror the often indirect, elusive presence of the sacred in daily life. The process of building the installation - marked by unexpected technical challenges and material failures - became central to the piece, revealing that surrender, trust, and resilience are crucial to both spiritual and creative practice. Ultimately, CRT and the Search for God (MK2) invites viewers to witness and partake in a personal spiritual journey, grounded in vulnerability, community, and the unbreakable search for meaning. This work affirms that faith and creation are not destinations but ongoing processes: embodied, imperfect, and profoundly alive.

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CRT TV, Religion, Technology, Video Art, Installation Art, Analog Technology, Analog Art

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