Glee 1991 - Sheet Music and Lyrics

Simple item page
dc.date.accessioned2022-07-28T21:22:34Z
dc.date.available2022-07-28T21:22:34Z
dc.date.issued1991
dc.formatMusical notation
dc.identifierhttps://doi.org/10.31096/WUA007-173
dc.identifier.urihttps://hdl.handle.net/10177/27327
dc.relation.ispartofWillamette University Archives
dc.rightsFor use information see: https://library.willamette.edu/external/commons/conditions_of_use/
dc.rights.urihttps://rightsstatements.org/vocab/InC-EDU/1.0/
dc.titleGlee 1991 - Sheet Music and Lyrics
local.mastercopyArchives_Glee_Volumes25/Sheet_Music_and_Lyrics.pdf
local.transcription1 A:r'ound Uw "JOT:1 d 1 around dle W_LLlt) wide world TIE.:lre r s a new wind blowin r • It's _1.' like cl stoLm And s·U.II it keeps on ~rowin'. It's blowin' tll1:-ou/iSh the udcions There! s a sone i-L sines. I t turns L118 he"lds of ledders And Uw halls kine;s. Itls the voices of people H.aised up hil~h in ~j()nr;. It echoes throueh the mounl.:dinLops­I ve beeu f ight.in I war t:oo I Ollg. tt This our sone we sinE -lo you The t.lw lemd, How IncUlY boys and Birl~3 must die Before you l:clke cl ,3 \:.i.lnd7 This our sane we ~:;ine t.o you The 01: the L..lud. Open your hear-Ls and l<1Y down your !.:iwo:r:d~; The world is In your hJuds. All around wide wide world There's d new elK!;) ddwnLng, world cmd looks around H1LliJ f-Cil(llle(}" Lisi...enLo the people sinE The tlme Ll t ldS t is tHJ.ce. Put: away your dnd plaIle~5 And S d mue; or beu.I:'. Don'1. send our youn[~ ones bJ die On d tdnL shor:e. Lis-Len -Lo people ury !!tve won't s Ludy wtlr-no morE}. f! Sing i~o me my lovu Remember how we've cdred. ThGse are -the moment_s we cherish And the Limes we shJn.::. 11. ! S a lone; hard road t.o rUll 't'hrout;h cold llnchdri:l.:d lLUlcb. Bul (:i"L -U-18 elld p()dCe my Lciend (l~t) <J. t lc.ts L . 1 the \ii1or1d O"LU' sone we s you The ttH~ l¥~lrld '" How and you tclke cl H to you the LJ.ud hearts and The i~3 j __H your All is a ~I'he "'JOT1 d Put away your And share a roue or be~.H:. Don f i: 01,1:[" youne OHeS off t:o On d L:d.nt shore­1.. 0 e cry s we 'Ie cclxed ThesE:; are the momcn-ls we And ti..."lleS we 5ha hard road t.O run But a:t_ age t lc.ls -- All IW _ 0 C\ )-I,lI ......, ...., v } .... * ..' .--T 6 ..... , aA I f -, • ,... ,.." 1"'"-I• I"lr. _ 6 I -r ,. -, . f h II I II I I I J I n - I J....-"'" J I I 'f' d~ Ql>p ~'Irls­m\ l~i­1.. 0 -~.... 'fIN, ~t.Jb lo"'t I. ~h'" !-~I .r "'f\l6 I"-Nd dl)\loN 'I!lVlf S.)l)f.;\s -Tr.e LY ~ • • •~-. • --b€. f I) 11 --• .a_ t ~-...-. ~ -. ':J ~ r-' P",--_,..:;T ~ . '!:: :: I r'f I.--. :.-.. 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Q-f'Oll't Cl , "II r. y --+BiO(. --W~ • ~ r--r f Vf1.SES'. ~~ itn's a.~-W.HC , ~7.Jt~ fI!:'::~ ­.,(;, II' ~ { !/'l "-7. /I ~ •... .. --.. l ~. I Ie I 1\ i I ../ : ( " I I I -I.... "" II • i': • , ! '1 / '> ��� .. / "'-"'" "--"'._t • ,,--... I '-V ..-/ .-[7 -::; _-J;t- I l' f • i ") .J~ . ,;-, .".." -.;;..;-/ -. to 0_1 {' J. III / ... -...... ~ {j( ....... ""'" ,..... ...-,.., ; '"' '} (, I ''If'' 'rJ ( �� I • " '" J I 1 j • I-' 1" r ~ • -"" I ! (') -( ! ,-I "1 / i I -(') I .). I-" , , _./ 7 1 v ~ J~r rrliis year, wlien tlie Sopliomore class was presented tlie tlieme of (~erenade," images of roses and pianos materia{ized in our minds. We discused tlie purpose ofa serenade, for e~amp{e: to e/tPress one's admiration for anotlier tlirougli song. tBut tlie prevaifing tliouglits were of masquerade ba{fs wliere persons in disguise sing meCodies ofCove to one anotlier. rrlie age oed ideas ofmasquerade ba{fs and serenades are a{{ but vestiges of a time ofgreat pageantry. However, as we enter tlie ninties persons of a{{ ages stiff adorn tliemse{ves witli e{aborate{y comp{e~ masquerade mask.§, on{y tliese mask.§ are invisib{e. rrliese mask.§ sliie{d us from liurt as we fare victim to our fears in contemporary refationsliips. Our song, {'9.{asquerade IJ is tlie story of a man in rove. He finds liimself at a masquerade ba{{ wliere tlie woman ofliis dreams is as weer. j{e is a simpCe man and musician by trade. rr'lie sUbjectofliis compositions for a great time lias 6een tliis woman. j{e sees tliis as liis onfy opportunity to e~ress liis Cove to lier, as lie sings liis songs ofserenade. tIJuring tlie first two verses tliis man deavers a sofi{oquy on now lie Congs to be witli tliis person. :J{e feers discouraged because lie lias fa{{en victim to liis fears as lie wears liis slie{tering mas/( in tlie sliadows. He questions liis fear and wislies to rift liis disguise. In tlie cliorus lie swears tliat every moment togetlier witli tliis person wou{d be one to treasure. !J{owever, lie {ac/(,§ tlie magic spe{fs lie wislies lie couU cast upon fierI tlius fie simp{y wislies for tliis masquerade to not 6e liis Cast serenade. 'Witliin tlie fo{Cowing verses we {earn of liis count{ess days of toi{ at tlie piano, wlii{e tears c{oud liis vision. tBut as lie waits in anticipation lie feers tliat tlie moment oftrutli is ever near. .9Ls tlie bridge draws near, a certain confidence is e~ressedin tliis man as lie steps from tlie dar{(ness into liis admiree's rife. Much to his surprise, in tfie 6ritfge, he {earns that there is aJeeCingofrnutuaCity in this refationship as they together wonder how {ong this attraction wi{{ fast. In the conc{uding verses, the two compare their Cove to a rose, a{ways growing and enriching 60th oftlieir Cives. 'Together, tliey p{etfge their Cove in a hope tliat their dreams wi{{ come true. In the ena the two have a tOUChing auet e;rpCaining that they ao not wisfi Jor this Masqueraae to 6e their one ana on{y serenaae. 9f'E'l('E I ser513{'lJ erwaq9fer er9fIS M5tS1( VPO:J{ 9vfY 'E'YES, I S'E'E YOV 'lJ.9lJI.[CI:J{(j, YOV''.l\.'fi 5l.LL 5l.LO:J{'E :J{OW J'rrJE LO:J{(j'E'lJ ero 'B'E 9f'E'l('E 'BYYOV'l(SI'lJ'E. IT O~TE:J{S'E'E:JvfS er9f!JLT LI~'E IS O:J{'E q'l(J2l9,fJJ 9vf.9LSQV'E'l(Jil!D'E, Ser'l(513{q'E1\5 'lJ.9lJI.[CI:J{(j wler9f S9f!JL'lJOWS O~'lJOV'Ber LI~erYOV'l('lJISqVIS'E, :J{O :J{'E'E'lJ ero 'B'E Yl~'l(Yl1'lJ. I~ I COVL'lJ WYlrrJE 9vfY 9vfYlqIC W513{'D, J''lJ L'Eerer9fIS 'lJ'l('EYl9vf L.9LSer5l.LL :J.[Jq9ferLO:J{q. 'CYlUS'E er9f'E erI9vf'ES 'JIVE s9f!JL1('E Toq'Eer9f'E~ Yl1('E er9f'E 9vf09vf'E:J{rr.5 I WILL er'l('E.9LSV'l('E. yt:J{'lJ I~ I 9f!JL'lJ O:J{'E LYlSerWIS9ferwaq9ffJ; J''lJ 'lJ.9lJI.[C'E wler9fYOV 'B'E:J{'EYl'I'9f er9f'E 9vfOO:J{'S LI(j9fr:!. SO PL'EYlS'E 'lJog{er L'E'I' er9fIS 9vfYlSQV'E'l(Yl'lJ'E, 'B'E OV'l( O:J{'E 513{'lJ O:J{LY S'E'l('E:J{Yl'lJ'E. 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"'iif ..AlF :at1'~ :lIS" ~ ~::i- Sto....d« z L~J., f ...;,J.l. 86/0:::. r-~ot'2 .. c/~ /'j-~-7 -t\ J. • I 1\ I' \ n . ~ T t II .. . -. -, .. 4111 =>, .. . 41 • -41,--• -­~ "lI': 1Ir­f .. T •• • (\ , -.­iT ... . • • .. if II 1'\ • ,, ,. .-.. /'" , /. -' ,.... Jill " 41 • • • -• ~... -4.-..~ .... ... ... .. I' :t-:I L s,-,,). I I <-5-J>? 19b c $ ....~ /A b-&~7 :5'"' s 1 l I [\ h \ "-~ • . .. .. . f. \. ... 'I \. iT . \ . "-J"" , '" I • ,.i-... --• -­• , ... f!!j ~ f . r-­\. -.::-.,/ r ,,-. ,/­-. • I , ......,. -i:-I c.. ~,.},-;, Gr I 1,:, . B{./c. r\ r-..JJ, l-II J' I.... -P I-"-. ­' I -• • o~ 1 JC \.,. v v lUll .. •• til ..... ��� i " lh~~ ~~ "'" ~I-I~i--1,-~~ =t"-~~: 1~ ~t~e ....... 11 N':~~z. ~.-"'~!t';1> A-;r. It-q D"i[b ~b of I\~ rO-t-IA~ 1 Abk __ G--~ I .­1\ I I II ;,M\' I rI '1'\ _ A llV _, L . III ...., at ...I II • '\1\ III , • Ci I 12 - • ...1--. .' ­~ 1"'1 ...-'" !lh 1'\"-, '1: ' ... ,~ 'c tliL'-. -.. ... , .. • fl ;:::. ti 'lIi II ~ t ��� • I , -€p ~jI:~..f" -e.:. I~ ... "iiI---I! -ill' i .:jf-~ ~'(;r ~-= ~ tjt:J6?-c...~ 7 , ~b-7 £b t::: Ai F~.q &-7 t>b Ab/c.. 'j, ... All ... D • I' ,11 r-IIJ • II!I. • . "1i ~ " V Cl • !I • l:::.....-V I ,. • etc . '. ",. " r.,' I.' , / .. J '~. !rJ\\.r,t / ' I lU. l , ,... ..;... iT I ~*' ~~ I• ~f I I I ) /."'\ t:I ! t-I 1""1 ~ , nk ./ '-' / . I ...... JI\ v~ v I lV ..,il-.-n If rl II;; 1/ ' , • .t. A vi II' I .. ---• i " ; I--e.+c. , ~ 1 ,i I , --I i .;; -"'"! .....-, l I l ~\, I ., ��� I I 'J I i!J' ! E CI. v \.,.. ...... ~ ;VIA:SQUt:IlA~£) f>.E./ ........_--"..... . e ,.. ~ ... ..,t'.l-''''::' ... ... .. y .L -.." • •• .... 'I... LilI ., , , . .... , --­nv 11' - \ -...-.~ ~ ~ r""'-I ...........:I ~ l_ l' .U," 0/ ./ -? Vl' -\ .." , . • t '-... ., . .., ~ 7' ­- 11 ........"•• v -", , ... ,. :j "_H< ..b~:~'f' " We Don't Have Much Time by Lila Brown Glee Song The Class of 1992 February 15, 1991 We Don't Have Much Time by Lila Brown Junior Class Song, Glee 1991 When the Junior Class Managers gathered together to talk about Glee and to wrestle with the theme and sub-theme we qUickly found ourselves in a quandry over time and what we cherish about it. First, we have found that we are often too busy to cherish our time together. Second, when we do share with one another our moments are punctuated by a global awareness. On the one hand it is very easy for us to ignore these issues; and yet, they are the essence of our generation. What we want is for the past to sing to us its serenade of knowledge so that we, in turn, can continue to create knowledge for the future. This is where we feel the chorus of our song has significant meaning. The melodic line contains what has come to be known as the famed "clock song". Time is ever present. What we want is to hear it and celebrate in it. TICK, TOCK goes the clock, We pray to God that it will stop To savor the loving moments like IISPLISH, SPLASH I was taking a bath!! Can we put in a request to make it last Can you play that record over again? Hey time won't you serenade us again? Our song states our concerns, the things that we can no longer ignore. It celebrates those concerns and tries to remember to have fun with them. Then our song moves us beyond that to the moments that we are going to create. We anticipate the moments we will share together later because, as our last verse states, it is our hope that Eventually there will come to be A time when we can share Cherished moments and memories Within a world that is aware. Thank you. The Junior Class Managers: ~Z=: S::~K1~7i~LCa4C rsty unlap Brian P?A Pam Westcott . $i;i~~hJ~ We Don't Have Much Time by Lila Brown Save the people, save the whales we're beginning to wonder if it's just a tale, cause its been talked about for so long. Except for the sick, take in the poor but no one has the time anymore then we finally realize this ain't no way to live. TICK, TOCK goes the clock, we pray to God that it will stop to savor the loving moments Chorus: like "SPLISH, SPLASH I was taking a bathII can we put in a request to make it last. Can you play that record over again? Hey time won't you serenade . ? us agaIn. Recall the days of better ways when we were Western bound when skyscrappers and shooting sprees were no where to be found. Elloquence of presidents and the mcn of higher minds they send our young across the sea to battle the front lines. Never will this happen to me but how does it all come to be (come to be, come to be, come to be) A thousand points of light the battle of choice and pro-life we stand around and wait for the clock to strike midnight. (midnight, midnight) CHORUS Determined to show that there's another way its the type of place where you don't have to pay where lessons of love and peace abide where life is not based on foolish pride. Eventually there will come to be a time when we can share cherished moments and memories within a world that is aware. We Don't Have Much Time We Don't Have Much Time (CHORUS) WE Don't Have Much Time • e...,;­li5pli:,. 1... J:. Wi4.S' 1iU:Jl'\J' A ~~'f!>, 041'.\ W4i. r"v-.' iN "'-.r.Q.. ~Mt>+ 1JP''=1tJ J li];;5 I:~ I .. . -. . . . y~~ c...j . «'", ~ 1 -, , , ... .. 1 t 1 II \ ~""MA' .. ,~ 1 , 1"1<1 .JtI "" l'" .J J ..J. \ \ 1 r I T --t f i. , 1/ J -.I I ~ L I '-"A.";" . " --~~L~ t-k ~at-~\,J..)~ wL.-~~~~~ r d. ) _ '2.. ­oe+~' 41iot...rw t~ t-~4 o-41+Lwr-W~ $. Go. ~f'-'r~~~6k.c.lm\: l,-1-p~ ~ Jt r f: r I ( t !( 13 ~ I~~ j J j J . Pj J !11 J ) w~<\'\(Itl. "\ cyII.c..v. ~'\4v.a~ ~"C> Nt \.,~ ~ ~~. Ti'~\t'l ~IN = he 3 D JI:i D j Ji nf f it 1·}lJ~J. 111; )P~ c.c:sme.. te ~ IA. ~ ~\J-'L L"""" ~~'-eJ..,....~..ltJ. II-\~ ~ Y"Ilm/M'-<t.o. 1U;\J,..:.., 0.. w .....kt ~-r Is. '\.I.WW ... <II.... .. _ _ -,-1'17 Cl.... MAn --. Class of 1991 (Seniors) The Serenade Lives On byJohn Horton and Laura Zinniker I. A little child is worried, mother has been gone Three days at the Doctor's, something must be wrong But Daddy says there's no need for alarm Mommy comes home with a baby in her arms The child understands fears don't always come true As mom sings him to sleep with the song of hope renewed CHORUS: Never stop believing dreams can come true If your hope fades away and takes your youth Listen for the song Just follow your heart Don't be afraid to sing along In the voices you will find friendships that grow with time So before your innocence is gone Sing and The Serenade Lives On II. An old man in the park feeds the birds his only friends He sees them flyaway and is lonely once again Just then a girl with blue eyes and hair of grey Smiles, takes his hand, and they slowly walk away She sings a song he had not heard since youth With newfound romance a miracle comes true BRIDGE: Too often time Time seems to flow Flows like a stream Streams take away Away from our friends Friends who share Our hopes and dreams Brought close together we sing harmony to find that if we believe hopes become reality III. Freshmen at Willamette We found ourselves alone Times we've shared together Are memories carved in stone In Twenty Years Time we'll still have in our sight A Vision of Harmony for which we'll Stand Up and Fight Hope can be restored with the miracle of song our time here is over, yet The Serendade Lives On Class of 1991 (Seniors) The Serenade Lives On byJohn Horton and Laura Zinniker 1. A little child is worried, mother has been gone Three days at the Doctor's, something must be wrong But Daddy says there's no need for alarm Mommy comes home with a baby in her arms The child understands fears don't always come true As mom sings him to sleep with the song of hope renewed CHORUS: Never stop believing dreams can come true If your hope fades away and takes your youth Listen for the song Just follow your heart Don't be afraid to sing along In the voices you will find friendships that grow with time So before your innocence is gone Sing and The Serenade Lives On II. An old man in the park feeds the birds his only friends He sees them flyaway and is lonely once again Just then a girl with blue eyes and hair of grey Smiles, takes his hand, and they slowly walk away She sings a song he had not heard since youth With newfound romance a miracle comes true BRIDGE: Too often time Time seems to flow Flows like a stream Streams take away Away from our friends Friends who share Our hopes and dreams Brought close together we sing harmony to find that if we believe hopes become reality III. Freshmen at Willamette We found ourselves alone Times we've shared together Are memories carved in stone In Twenty Years Time we'll still have in our sight A Vision of Harmony for which we'll Stand Up and Fight Hope can be restored with the miracle of song our time here is over, yet The Serendade Lives On • • The Serenade lives On ,1'­''\ C-I)' tJ (VOCHt Line) ~ OIl· • • I-.. ... • ~ V '1:. 11 11. .. :S -III ~ ..,.. ~ ill r-' ,... ... •• ill • . ­1 -•• 4 11 ... • ill .. p. ,-, ~. ... Hr. --­tJ l ..'Ij -­•• ... ,. ... . ... . tl ~ r ~ ~ ...,,~ ,. ,. • IlL I" • ,. ~ ,. -• .. L ..... 4 11 , I ., III. -I ... .. t} ' .... lit -tle child is I. ~ 2. An) Qld man in the 3. (As) Fresh -men at \'111 ­,.... Il ... ... w -• ~ ~: •• Ii r-f r " • • • I " f'" I p. 7 ... • ��� ... ­~ -e - U .rrI u t) :it :;t. -,j-... '..'OF -ried mot -het-has been gone He park feeds the birds his on-ly friends -Ja mette 'tIe found our selves a-lone -11 .fJ.. ij tJ ~ ~ :i ~ .. .. 10 -(. -­• .lo .l.I -to ­---- 11 ~ ~ ~ ~ ~ 'll i 1\ I I I .­.. '\:Jl tJ .... .. .M Thr~e dal,ls at the doc ­tor's SOffiE<­thing must be Sees Foul" thero years fly shared a-to ­\< lay geth ­and er­is are 100 ­mem' ely ries OMe c:arv£<d a­irl ~, No tJ ~ ~ :S: 1 ~ 1 ��:I "'....., I.. ...- L 13 --e t:I ---e .J.j -~ • I I I I • .M tJ 'vIrong But Dad - dy says theres -gain stQrJP. ,Just *In then r-yteflty a 'fears girltime "\liith 'vie blue 'vIill ,., 1"1 '­I,\: tJ II iI£ .. -til .... .. .... :I I -:j: ~ ~ til ~ III .16 ..(,i -til ~ ~ -- I •• III. I ....... ...-I}: t) • """ 4­no need for a-larm t10m -mlJ comE'S eyE's and hair (if grE'Y Smiles, takes his still have in our sight *A Vis -ion Of Hat" -mo­~ .JI Jill t) .... .. .. -<II 11~ 1 ~ 11 1J: 11 1J: ~ ,A..,. .. ~, 19 --CJ • .. --e I t) .... • • ..... home wi'th a ba -by in her arms The hand and they slow -19 walk a-walJ -ny for whi(:h we'll *Stand Up And Fight l • II'. III. f.. • f.. tJ -tiL. ... • -l:: -(I) •• ~ , (. ...1. -" -' '" ..., 22 1:r-'ll ­- ~ 'I I I I I I I I I I ..... • '" u tl ohild un -der stands feat"s don't al-ways com>? She sings a song hE' has not he.ard since Hope wr. be re -stored with the mit--a-cle of ~ 'I'j • -• • • • t! -4 ... • • -4 ... :t .. .. I t: ,"'of.. • -• , W ..- Cj '" 4-• '" I . U· No ..... • ­... tl true as t-1om sings him to sleep with the youth with new-found ro -manc!!' a soog our tin1e here is over but the ... u • tl .. -I -I "I '"C :t S: :t :t ! I I ....." i .. 28 -... • • -4 .f:i • :(j -­... ~ :.,111. AJ ..IIi tJ v song of hope re -oE''lfed mir -a-ele comes true se-rE' -nadi!> lives on (and on and on and on and on) ,..... ­-,..... • • i • . • ,III. !II • ~ tJ • .. ~ t I " 31 , II ILl J.i --.. .. • 4 -• -4r-1 71 4 CHORUS !.' '" • t.l .. '!II -• • ... . Never stop be -lieYing dreams ~ -,..... I - • ~ -• • tJ • -I .. ..... ... • ]I f ~ 11 ~ r ~ ,.",.. I' • (, II.. ~ (. .Q.. ­34 1Ir-­-~ ~ ; ~ -­• ~ • ~ ( III tJ -i • -4 .. can come trlje If yoor hope-fades .0­,.... • ~ l ­(. • ~ 1'& ~ • • • .. tJ •• -{i • -.. -i .. .. • ~.. -r. .. , -... 37 (. ~ ­-: E "t ,... III. • •" IT • • • '" tl 'day and takes your youth lis -ten for the ....­" ,..., rt: -,. (, tl "t -{i ....­i IL .. If I' (J " ~ -{i 40 .. . • • • • • • ~ I I •• IlL (. .• .. )'I • tJ I 1'L 1 500g just to -low your hE.'art doo't be af­~ (. • • • t) -i'" 1" ~ • • 1.1 • ~ ,.... ~ iI ,6i1 i -11 1: .... fi ­43 ­i ... ­1: I""­j ­~ I .. 4 .. . . • il'. No JIll .ni­t) r raid to sing a-In the yoi -ces 'JOIJ 'lIill L -• I""­I .II' -• • • , • ... .. tJ 111­i r t -­i if--i ~ f0­il , il" .. p ~ 46 .. :{j... - - n • ­•• (, . If. • (.. . find friend -ship that grows with time So be­1'. !IlL .a .. .. .. .. ... .. ... .... t.l • ... ~ II. ...... ,.,• t:. '11 .. 49 .f:il ­:: ij " l.. • 1 .. 1[:' ·V •• • t) fore your inn -(I -c:enc:e is gone .. .. ,. . .a • ­'\: .. • " tJ .. .4J •• .. .4J .. ~ ....... • I" ,­1.. 1 ... .J.O 52 ­II ~ • - ••• - - i.. 1 ..­., !II. -C.• • t.J Sing and the Ser-Iffl -<Ide lives -to. ., "'S t) .. (, •• ~ • :i J i"'''''.. L 55 -t::J '" • .. 11 J;j -e ~ = II 1. 2. t::J I::J , ... t::J I • t) ~ on. II. An on. - (, :lIII -.• • ~ • j l1li. • ~ . ..-I • ... -. :II ­• t) -4l. ..... ..I .iJ -II • -i ~ ,..... ...-r-­~ I " .. ... • L .. •• .. • • .. 5B =i-1111-:jI-:ti :ti :ti :jI-:ti :jI-:jf­ • • • • • • • • 1', !II. ~ ,; ,1 rJ .. 1'. !II. t.l ia,.. , .. 61 :t :t • • t.l 11 t: flows flow - n. " tJ .. 11-1 .. .. • 64 ­.... BRIDGE 'It • l1li:. ~ 1'" • 11 II· Too of-ten 1'me time seems to ,.. ,.. I- ,... "-- '­- - .. I" ..0; ... 11.• • .J .J .. 1'• .. .. 'Iti 11~ =i: =i: :t :t:t:: :t J[ ---• - "II. • ... • ,-.. :t :t II :t. lI· u ...,• .. •• 1'11'.• ... r-•• ii". .rJ' « .J .. -'\ ay from our like a tream -streams take a-way ,-~ I-'" ,­~ ~ ,-- ~ - .... -. • -,. ..• .. .... .. .J -11... "II .. II lit-II ~.... • a --. ..;: -:: .... :tL. --=i a ... II :t. -­" II. "I. ~ ~ '\: tJ tJ i ..'" 111 67 " #f tJ I tJ 11 11 70 .11 '110 l' •• •• • l' • • -• •••• fiiends or oopes and dreams friends I'"'­who I'"'­,..... share I'"'­our hooes-,..... - and - dreams ~ l'"'­~ I.) i ,..... ,. • • - - ... • fl~:I :I 11 ... ....... fl· • • 11 4'" .. 11 • • • • •• II' - [II. 11. -t"" ,. .... "Lo­,. .. IN ... I •••••.. J>o ••• • I,..•... •• a ••• .. .k; ••• • I ••••• ~i • Brought close to ­geth ­€ or 'tie sing har ­mo­.. •••• ••• • • ~.. : ••.. ~ i: •• • - ••• •• I .. •••• • • 4t!o • 11­1M • •• • • L 1,... • •• - • ••• • • • ••• • • • • •• • • • •• • �� • ••• • • • • • • 1', M 111[ • t.l re -1-1-ty (re-al-i­• • ••• • .. • • a lIia• ...... .... • -•• ... .. 79 • a " ­, I', M I I - ...... tJ ­; t -ty on Ill. As .. .. ... ... 1', M tJ • .. •• .. .... I'-­I'- ­l"' ­• I'-­... * • • -' • • 82 * .. .. .. ... ­- - - " 11 tJ and tht> Siog • 85 -­- ~ '1 Se -re -nade lives 00-­~ II I!I. '\: tJ \.0 (J ~ ~ "' '* # I' 88 ---­~ 't ~ "' 't (on)----------------------------------------------------------------------­• ]I ..... • • .. . ­91 " i

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