Chloe Kramer 2026
| dc.contributor.author | Chloe Kramer | |
| dc.date.accessioned | 2026-04-27T19:45:39Z | |
| dc.date.available | 2026-04-27T19:45:39Z | |
| dc.date.issued | 2026-04-17 | |
| dc.description.abstract | The following text and images work to understand the relationship between boundaries and limitlessness within the practice of making art. With a focus on materiality and abstraction, Chloe Kramer uses process as a way to develop paintings simultaneously rooted in the material world yet aware of the more cerebral nature of human experience. The use of a conceptually dialectic framework allows meaning to arise from the making, as the process of painting is a constant interaction and negotiation between the artist, the painting, and the viewer in order to synthesize the truth of a thing. The paintings made adjacent to this research mirror our reality, however they also ask us to practice autonomy and agency through the ability to imagine something more. | |
| dc.format.medium | acrylic paint, oil paint | |
| dc.identifier.uri | https://hdl.handle.net/10177/41363 | |
| dc.subject | Painting, studio arts, new materialism, materiality, abstraction, | |
| dc.title | Chloe Kramer 2026 | |
| dspace.iiif.enabled | true |
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