Rissa Martinez 2025

dc.contributor.author	Martinez, Rissa
dc.date.accessioned	2025-08-07T21:59:36Z
dc.date.available	2025-08-07T21:59:36Z
dc.date.issued	2025-07-18
dc.description.abstract	This essay examines the intersectionality between Chicana, Punk, and Queerness through the lens of auto-ethnographic biography, specifically commenting on a long-debated feminist issue of domesticity and patriarchal gender roles. With Tomas Ybarra Frausto’s ideas on Rasquachismo and Amalia Mesa-Bains ideas on Domesticana as a basis for my research, I add to their efforts in outlining a new era of femininity through the perspective of punk subculture; that which I refer to as, Punkeras Domestica. With respect to history, current and future generations of Chicanas are still at odds with their expected roles and as we enter our “Señora” era, we find ourselves asking, what do we take and what do we leave behind?
dc.format.medium	Ceramics, Scratchboard, Wood, Paper Mache
dc.identifier.uri	https://hdl.handle.net/10177/41226
dc.subject	Chicana, Culture, Ethnography, Printmaking, Ceramics, Sculpture, Installation, Punk, Queer, Identity
dc.title	Rissa Martinez 2025
dspace.iiif.enabled	true