Souder, Cynthia2025-05-162025-05-162025-05-16https://hdl.handle.net/10177/40894This thesis explores the cultural and symbolic dimensions of the "crone" through a series of five original sculptures, each embodying a distinct trope of older womanhood. Installed in the shape of a physic garden, the sculptures form a circle—an invitation for the viewer to enter, explore, and witness their differences. This immersive arrangement at Building Five creates a space not only for contemplation but also for connection and participation. I invite you to become part of the circle of crones in the garden. My research draws on feminist theory, histories, and contemporary art discourse, challenging the ageist and misogynistic connotations historically attached to the term "crone." Instead, I reclaim the crone as an archetype of wisdom, resilience, and transformation. Historically, women labeled as crones were often persecuted not for any wrongdoing, but for stepping outside patriarchal expectations—retreating from societal norms, decentering men, and living mature, independent, and wise lives. Through this research and sculptural practice, I trace the figure of the crone across history and popular culture, examining how these representations shape and are shaped by the roles, behaviors, and perceptions of women in contemporary Western American society.multi-media installation, paint, Paper mâché, found objects, mirrors, tarot cards, wire screen, reciepts, spray paint, mulch, rocks, madonna statue, wine, candles, leaves, mushrooms, moldy books, featherscrone, aging, women, feminism, manic pixie dream girl