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Chonin Temple Gate

dc.contributor.authorHiroshi Yoshida (1876-1950)
dc.date.accessioned2022-07-16T16:13:33Z
dc.date.available2022-07-16T16:13:33Z
dc.descriptionOriginally a Western-style (yoga) painter, Yoshida Hiroshi turned to prints in his forties and gained international fame. His work reflected both movements in twentieth-century Japanese prints. Like the shin hanga (new prints) artists, he utilized Western pictorial techniques and a division of labor process. And like the sosaku hanga artists, he could do every stage of the printing. Since this was not possible with larger print runs, he personally approved each stage, stamping his prints jizuri (self-printed).In this print, the main gate of Kyoto's scenic Chion-in temple is shown from an angle, its imposing gate and bare stairs lightened by the touches of color in the cherry blossoms and visitors' clothing.
dc.description.sponsorshipGift of Roy and Leeanna Swank in memory of his mother, Hannah Jane Laver, who attended Willamette University, 1903-4
dc.formatImage
dc.format.extent9.675" x 15"
dc.format.mediumPrint
dc.format.mediumWoodblock print
dc.identifier.other2006.048.005
dc.identifier.urihttps://hdl.handle.net/10177/20344
dc.relation.ispartofHallie Ford Museum of Art, Willamette University, Salem Oregon
dc.relation.ispartofAsian Art Collection
dc.rightsFor use information see: http://www.willamette.edu/arts/hfma/collections/copyright.html
dc.titleChonin Temple Gate
dspace.iiif.enabledTRUE
iiif.canvas.namingImage
local.cultureAsian / Japan
local.mastercopyHfmoaVolume25/Yoshida_2002-048-005.jpg

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