Abstraction (Composition) #51

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dc.contributor.authorAlbert Patecky (1906-1994)
dc.date.accessioned2022-07-20T19:25:53Z
dc.date.available2022-07-20T19:25:53Z
dc.descriptionWhile in New York, Patecky saw the nonrepresentational works of Wassily Kandinsky at the Museum of Non-Objective Painting, forerunner of the Solomon R. Guggenheim Museum. Inspired by Kandinsky's color and form, Patecky experimented with making his own non-objective compositions. Beginning in 1946, he sent samples of his new work to Hilla Rebay, director of the Museum of Non-Objective Painting. She corresponded frequently with Patecky, serving as his long-distance artistic coach, and began to exhibit his work at the Museum in 1949. "Composition #51" is one of ten by Patecky that Rebay exhibited in 1950. Further reading in "Albert Patecky: Abstractions" Roger Hull, American Art Review Vol.XVII No.5, 2005.
dc.description.sponsorshipMaribeth Collins Art Acquisition Fund
dc.formatJP2
dc.format.extent33.675" x 27.75"
dc.format.mediumPainting
dc.format.mediumOil on board
dc.identifier.otherCOL98.40
dc.identifier.urihttps://hdl.handle.net/10177/19492
dc.publisherHallie Ford Museum of Art
dc.relation.isformatofCD Location: Hatfield Library Archives and Hallie Ford Museum. TIF: CD_HFMA_TIF_2, created May 2005. Cannon Raw: CD_HFMA_CRW_1, created May 2005. JPEG: CD_HFMA_JPEG_1, created May 2005.
dc.relation.ispartofHallie Ford Museum of Art, Willamette University, Salem Oregon
dc.relation.ispartofNorthwest Art Collection
dc.rightsFor use information see: http://www.willamette.edu/arts/hfma/collections/copyright.html
dc.subjectAbstract paintings
dc.subjectAbstract works
dc.subjectOil paintings
dc.subjectPaintings
dc.titleAbstraction (Composition) #51
dc.typeimage
dspace.iiif.enabledTRUE
iiif.canvas.namingImage
local.cultureNorth American / United States / Oregon
local.mastercopyHfmoaVolume2\2_Capture_00149.jpg

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Northwest Art Collection